I'm free tonight. Only love can stop the pain from becoming the mediocrity of life.

after work, before Rest, let good movies accompany you. This week, "Lovers," which topped the list of the top 10 Japanese films last year, finally released resources, and Natalie Portman returned with her directing debut, "Love and Darkness Story." the classic series "American Horror Story season 6" begins. The most recommended film and television content are here!

Lovers, the top 10 Japanese films last year, is featured this week. The film tells three stories about love, but these three stories are not happy. The stories of the three groups are inextricably linked for a variety of reasons: the boring housewife, the frustrated man who spent all his savings for the lawsuit, and the lawyer who was excluded because of homosexuality. In the movie, Hashimuchi throws the audience all to the edge of the abyss of misfortune, but the life that has been rotten like this will flash a glimmer of hope in his film.

Do you Jabin: Director Liangsuke Hashimuchi has always been good at building bridges with small details. He is a water sign, and his delicacy is the characteristic of his movies. He can deeply feel some uncomfortable changes in his life, and he is willing to find resonance with the audience through visual expression. The disasters and difficulties of life not only make it difficult for the director, but also everyone in life. This may be the original intention of his creation of "Lovers". The director often uses the method of skipping narrative, the entrance is small, the details of life are moving, and his films reflect the current life and past changes in Japan. And that's the mood in his movies.

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Natalie Portman, who has been immersed for a long time, finally returned to the film industry this year, not only starring in several new films but also handing in her debut as a director, the Story of Love and Darkness. The film is adapted from a novel of the same name, which shows readers the history and national narrative of a Jewish family for more than a hundred years in an eloquent and moving style. The Jewish Natalie Portman became familiar with the story after reading the novel and decided to put it on the big screen.

Do you Zeng Sponge: from the perspective of a teenager, through several stories described by his mother, it shows the situation of Jews during the Israeli-Palestinian conflict and the decline of a woman. Films in small languages, especially literary films that are too fragmented, look a little difficult. Natalie directed the film for the first time, the handling of the plot is a bit fragmented and stream of consciousness, the overall look will be very depressing and dull.

recently, everyone has been scanned by two popular movies, "Busan trip" and "Tunnel", especially the number of Douban tagged by the former has exceeded 120000 in just a few days. By contrast, Dehui Lord, another film also from South Korea, is much more low-key. This is an attempt by Xu Qinhao, the director of the Photo Studio in August and the death of Spring, to the historical theme. Sun Yizhen, the actress of "if Love has God's will," plays the princess of the last royal family in North Korea, and the story also focuses on her bumpy life. The goddess even made up for the elderly in the film, making a lot of sacrifices for this role.

toxins interpretation of Douyou A famous love film, Xu Qinhao, an anti-Japanese princess who left the country and left home, a life of tragedy, humiliation, and passive waiting. Sun Yizhen will have faith tenacity, pain, and passive princess interpretation of the old spicy and vivid, Park Hai-RI is silently waiting for the flower protection messenger. Anti-Japanese environment against Korean traitors, to "wait for me in ten minutes" poignant lines, in old age to pay tribute to the "Last Emperor" stream of consciousness footage. Although espionage has something to do with the insane asylum, it is as strong as rock-solid infatuation and patriotic beliefs.

repressed, twisted, and abnormal "American Horror Story" finally ushered in a new season. It was not until the start of this season that the theme was officially decided as "Roanoke", and the plotted trend was related to a mysterious disappearance in 1590. The premiere kicked off in the form of a live-action talk show, and the performance of various psychic events in the forest mansion made Meifei veteran fans find a familiar feeling again. Lady Gaga, who made a stunning debut last season, will continue to star, but unfortunately, "Aunt Lan" Jessica Lange has not been able to make a comeback.

Bean friend Banana King: Murphy has almost completely abandoned the universal logos of the first five seasons, such as smooth lens switching, fisheye perspective and special fonts, and the classic changeable op. There are very few characters in the sixth season (they are not dressed as flirtatious bitches as before), but the straightforward narrative has a strong sense of substitution, without the jump of many years in previous seasons, banana sister and mistress play normally, in short, five stars wait and see, looking forward to the appearance of more characters.

every Chinese fan has more or less a Hong Kong film complex and has more or less experienced the most glorious years of Hong Kong films. The Fifth Hong Kong theme Film Festival will be held at Broadway Film Center from September 22 to October 2. Beijing fans will be blessed again.

the theme of this film festival is "lost Heroes in Black and White". The two major Hong Kong film directors Lin Lingdong and Johnnie jointly curated, selected 15 representatives of Hong Kong classic police bandit films, such as "Infernal Affairs", "Carmen in Mong Kok", "exile", "Prison" and "all over the World".

most of the films are popular but have no chance to be released on the mainland. It not only includes the representative works of well-known Hong Kong directors such as John Woo, Wong Kar-wai, Lin Dingdong, and Johnnie to but also presents a long scroll of stars composed of a generation of legendary actors such as Chow Yun-fat, Leung Ka-Fai, Leung Chiu-wai, Maggie Cheung and Zhong Chuhong, showing the different aspects of modern police and gangster films as the most dynamic film genre in Hong Kong at its peak.